
Full
Circle / OMS
Records
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Review:
Vassar Clements
Eldest Rock Star
Comes "Full Circle" |
By Art Howard
Before
discussing Vassar Clements' new album, Full
Circle, we should first consider the larger
picture of where Clements is at in his career.
This is a 73 year old man who has a new CD being
reviewed in a rock magazine. This probably
makes Clements our eldest "rock star."
Now add to this that Full Circle is
actually good. No one will say, "Well, you
should have heard him a few years ago when he
really had it."
Relix readers probably know Vassar
Clements best for his collaboration with Jerry
Garcia in Old & In the Way. When asked if he
thinks there's any genre of music he hasn't
covered in his 52 year career, the famous fiddler
says, "Not unless it's Indonesian music.
I've played salsa and jazz and swing and pop and
with symphonies." True, it is Vassar
Clements who showed fiddlers like David Blackmon
(Widespread Panic) and Iratowns' Dan Campbell
that the violin could exist alongside rock
guitars. Full Circle, however, is
Clements' return to his bluegrass roots.
Wisely, someone has recognized that not everyone
who will buy this CD is a dyed-in-blue bluegrass
fanatic. Bluegrass versions of classic rock songs
like Cream's "White Room" and The
Beatles' "Yesterday" give younger fans
something to relate to and ease them into
appreciating the old-time tunes. By the time the
new listener gets to "When the Golden Leaves
Begin to Fall" with Peter Rowan, rendered in
a very traditional bluegrass ballad style, their
rock and pop-trained ears are ready for it.
The standout track is the fiddle instrumental
"Tall Timber." If I have one criticism
about this CD it's that it would be nice to hear
more instrumentals like this one that put
Vassar's fast and furious fiddle chops front and
center. Maybe "less is more" was the
philosophy here.
Other artists
who've bent the boundaries of acoustic music like
Bela Fleck, John Cowan, Sam Bush, Ricky Skaggs
and also original bluegrassers like Jim and Jesse
McReynolds help flesh out the 13 tunes.
The CD also
contains a nifty little Quick Time video
documentary on Clements with commentary from
folks like Tony Rice and Bela Fleck; the audio
and video quality are great. The liner notes give
a great thumbnail sketch of Vassar Clements'
career.
If you're looking for a palatable introduction to
bluegrass and Vassar Clements, don't go all over
the record store, just go Full Circle.
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